I have been playing the piano since the age of six and composing since I was twelve. I completed my Bachelor’s degree in Film Music Composition at the Academy of Music in Łódź, studying under Dr. Maciej Kabza (film composition) and Prof. Sławomir Kaczorowski (composition). I am currently in my third year of Piano Performance studies at the Feliks Nowowiejski Academy of Music in Bydgoszcz, under the supervision of Dr. Piotr Kępiński.

I have achieved success both in chamber music performance competitions—winning 1st Prize at the Sochaczew Chamber Music Encounters in 2022—and in composition competitions, such as 3rd Prize at the National Piotr Perkowski Composition Competition in 2020.

I have taken part in workshops in improvisation (15th Ad Libitum Festival of Improvised Music, 2020), arrangement (with Jan Stokłosa), composition (Synthetis Summer Composition Courses 2023, including classes with Prof. Zygmunt Krauze), and film music composition (Paweł Lucewicz’s group at Film Spring Open 2024). I have further developed my piano skills in masterclasses with Janusz Olejniczak, Andrzej Jasiński, and Eugène Indjic.

I am the author of numerous works for acoustic instruments (sometimes combined with electronics), many of which have been performed at the Musica Moderna Festival at the Academy of Music in Łódź. The piano remains my most important instrument and appears frequently in my compositions. I completed my Bachelor’s studies in film composition by performing, as soloist, my own Piano Concerto with an orchestra composed of students of the Academy of Music in Łódź.

Another direction in my creative work involves symphonic arrangements in rock and musical theatre styles (including a rock ballad-style arrangement of the Polish carol Mizerna, cicha, and symphonic arrangements of popular Polish hits performed at the concert Zawsze piękne, zawsze młode on March 27, 2025).

I strive to remain open to a wide variety of musical styles, which is especially evident in the soundtracks I compose for short films. I am the composer of the music for the following films:

• The Singing Machine (animated short about similarities between machines and living beings, dir. Wanda Nejman, 2024) – music for prepared piano and trumpet

• Sen letni / Summer Dream (cinematography etude, documentary about the Grand Theatre, made by Karolina Pawlik, Karolina Potrzebska, Szymon Szymański, 2024) – orchestral lullaby

• Biuro tłumaczeń / The Translation Office (animated short, dir. Ira Karapetyan, 2025)

• Głos Wiktorii / Victoria’s Voice (fiction short, dir. Liza Deviuw, 2025)